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Nope’s Alien Explained: What Is The Alien & What Does It Want?



WARNING! This post contains SPOILERS for Nope.

Jordan Peele’s Nope offers a new and insightful addition to the sci-fi horror genre, especially in regards to its mysterious alien ufo monster, and the amibigous origins and its motivations the creature has. Nope (2022) is the third directorial venture in Jordan Peele’s horror movie roster, following the critically acclaimed horror-thriller movies Get Out and Us. Peele’s films are often notable for their underlying social commentaries, with Nope seeing the director break out from his typical horror approach as he comments on the widespread obsession with spectacles, which certainly applies to the unique nature of Nope’s alien.


Nope follows siblings OJ (Daniel Kaluuya) and Emerald Haywood (Keke Palmer), the claimed descendants of the man in the famous The Horse in Motion pictures. The two must run their family’s Haywood Ranch after their father suddenly dies from a nickel that mysteriously falls from the sky, while also coming into frequent contact with the nearby Jupiter’s Claim theme park when forced to sell one of their horses. After a series of odd occurrences, Nope‘s main characters OJ and Emerald suspect a UFO is hovering over their ranch, with their surveillance camera installer, Angel (Brandon Perea), helping them detect the object. Eventually, it’s deduced that the UFO isn’t a spacecraft, but rather the alien itself, which the characters in Jordan Peele’s movie nickname “Jean Jacket.”

After the alien eats and kills many of those around the Haywood Ranch and the audience at Jupiter’s Claim, OJ and Emerald successfully destroy the being. Nope’s ending leaves certain loose ends untied, such as whether there are more of the aliens nearby or if Emerald and OJ made enough money to save their ranch from the photos. However, the most curious yet marvelous aspect of the story that stays with audiences after the climactic Nope movie ending is the alien itself, including questions about the species’ physical appearance, its motivations for food and territory, why it ate humans and horses, and the reason it stayed so close to Haywood Ranch.

What Are The Aliens In Nope?

While the creature is nicknamed “Jean Jacket,” Nope never explains exactly what the alien is or the nature of its origins. The alien at first takes on the form of a saucer reminiscent of stereotypical UFOs, only for it to shift into its true form of a more parachute-like, flowing being evoking the imagery of biblical angels. It’s typically seen as dark gray at night, but has a lighter appearance when attacking OJ and Emerald during the day. The alien in the 2022 horror movie also has an impressive camouflaging ability, as it remains in the sky disguised behind a cloud that never moves. When feeding, the alien in Nope opens its “mouth” and sucks up horses, people, and any object in its path through a large area that reflects the design of very early cameras. The alien also has a great impact on electricity and technology when nearby, making them inoperable when in the alien’s path.

Nope’s alien was killed by Emerald when she untied the giant helium balloon mascot from Jupiter’s Claim, which exploded inside of the alien’s mouth and ripped it apart. Since Nope ends soon thereafter, it’s unclear whether there were more aliens around and, if so, whether they exhibited the same physical and temperamental traits as Jean Jacket. It’s difficult to judge the entire species based on one example, but it’s likely the Jordan Peele’s movie also leaves certain details of the creature ambiguous intentionally, as introducing more than one of these alien creature in the film would have allowed audiences to potentially extrapolate more details about them, sabotaging some of the mystery.

What Does The Alien Want In Nope?

The main characters in Nope suggest that Jean Jacket is extremely territorial, which is part of why the alien has become so intent on feeding on those in the area near Jupiter’s Claim and Haywood Ranch. While its primary motivation is likely to establish dominance over the area, it also has the primal need to eat, which is why it moves from Jupiter’s Claim over to Haywood Ranch to feed on the horses. Daniel Kaluuya’s Nope character describes the alien as a “bad miracle,” but doesn’t seem to believe that it had any other purpose on Earth than to eat and claim its own territory.

The alien in Nope doesn’t necessarily seem to have a sinister motivation for preying on humanity like the villains in various other sci-fi films, as it appears to just be an unidentified predatory entity that settles on Earth in order to feed. While its original motivations for landing on Earth aren’t explained, Nope’s alien seemed to have become angrier and more predatory after Ricky “Jupe” Park (Steven Yeun) tried to tame it, which connects to Nope’s scenes with Gordy the Chimp, who went on a murderous rampage on the set of a 1990s sitcom. As OJ and Emerald’s father had said, some things aren’t meant to be tamed, so the alien may have lashed back at Jupe and humanity’s attempt to control it.

The Feeding Habits Of The Alien In Nope Explained

The alien in Nope is frequently seen eating horses and humans, and perhaps any organic matter that is found near Jupiter’s Claim and Haywood Ranch. Nope makes it clear that the alien cannot digest anything inorganic, which is why it spits out metals, fake horses, and coins, such as the nickel that killed OJ and Emerald’s father. Connecting to the movie’s core theme of spectacles, Nope‘s mysterious alien doesn’t feed on those who don’t look directly at it. Society has an obsession with needing to see and understand every moment, especially those that are particularly bizarre, but only those that can manage to ignore the spectacle are the ones that survive in Nope.

Why Does Nope’s Alien Stay Near The Haywood Ranch?

Nope’s alien would have found far more food closer to the heart of Los Angeles, but chose to stay in the remote area near Jupiter’s Claim and Haywood Ranch. The reason for this seems to be that Jupe had been regularly feeding the alien for months in an attempt to tame it as a spectacle for his theme park show, “Star Lasso Experience,” with the horses at the nearby Haywood Ranch in offering plenty of food. Since the alien in the Nope movie had already eaten Jupe, his family, and all of the audience members at the theme park before the film’s ending, it had to move over to Haywood Ranch where it knew there would still be food. Had the Nope movie protagonists been unsuccessful in killing it, the alien likely would have moved into more populous areas to feed on other humans and wildlife.

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‘Violent Night’ Review: David Harbour Stars in Your Basic, Everyday Heist Meets Bloody Action Santa Meets ‘Home Alone’ Christmas Thriller



The now-ancient joke about the kind of pitches that movie executives respond to (“It’s ‘Avengers 2’…meets ‘Glass Onion’!”) is really about what the audience responds to. We’re the ones who like our special-sauce tacos stuffed inside a bacon burger topped with a bun made of pizza. And “Violent Night” is a movie that takes the oversize appetite of the audience very seriously. The title might lead you to expect a holiday horror film, with Santa as a mad slasher ­— but, you know, we’ve been there, eaten that. In “Violent Night,” David Harbour, that jovially quirky actor from “Stranger Things” and the 2019 “Hellboy” reboot, does in fact play a dissolute Santa who cruises through Christmas on a bender of holiday cookies and random alcohol, peeing and puking off the side of his sleigh — but in movies like “Bad Santa,” we’ve tasted that fast-food combo, too.

To wake up the jaded taste buds of today’s holiday movie audience, you need a piece of entertainment that’s truly going to combine flavors. So consider this: a comedy about a filthy-rich family whose members can’t stand each other but gather anyway, on Christmas Eve, at the Greenwich, Conn., mansion of their misanthropic matriarch, Gertrude Lightstone (Beverly D’Angelo), for a little forced holiday cheer. Before the festivities have begun, they’re set upon by a ruthless team of home invaders led by a psycho who calls himself Scrooge (John Leguizamo). He sets the tone with a hearty “Bah humbug, motherfucker!,” and the foul-mouthed Yuletide spirits escalate from there.

Scrooge, who’s been casing the joint for months, knows that there’s $300 million hidden in the vault below, and he has arranged it so that everyone — catering staff, security agents — is secretly working for him. What he wasn’t counting on is Santa Claus, who’s making his yearly Christmas pitstop. Santa is a bit of a Scrooge himself: a drunk and a curmudgeon who can’t get over what consumerist zombies today’s kids have become. But he’s also got special powers. Do I mean his ability to glide, with a twinkling twitch of his nose, up and down chimneys? Or the golden digital scrolls he unfurls with a list of what each kid has done that’s naughty or nice? Certainly all that.

Mostly, though, this Santa is a weapon-welding badass. He’s many centuries old and started off, in vintage Kris Kringle fashion, as some sort of earthy Scandinavian Viking warrior. Now he’s like a member of the Expendables, dispatching enemies with old-school brutality. When he grabs a sledgehammer, he becomes a death-wish version of Thor. But since “Violent Night” is a Christmas movie, it’s all in good fun! Especially when Trudy (Leah Brady), the 7-year-old daughter of Jason (Alex Hassell), the only honorable member of the Lightstone clan, goes “Home Alone” medieval on the asses of the home invaders. Ladders are booby-trapped so throats get pierced with nails; heads are scalped; the pain gets brought. As someone in a film like this might put it: That’s what I’m talkin’ about. Or maybe I should just say: Have yourself a bloody little gonzo action Christmas.  

Over the last week, everyone in entertainment media, including me, has churned out hand-wringing articles about how the acclaimed awards films are all fizzling at the box office. One after another, “Tár,” “The Banshees of Inisherin,” “She Said,” “Triangle of Sadness,” and “Till” are all crawling their way to a gross of maybe $10 million. (“The Fabelmans,” with a more high-profile pedigree, will probably crawl its way to $20 million.) We know that this is the age of Marvel, so “Black Panther: Wakanda Forever” is the triumphant counterexample. But even in 2022, people don’t just go to Marvel movies. One of the things that’s defeated adult moviegoing is the insatiable hunger for unabashed junk food like “Violent Night.” The movie has no comic-book hook; it’s a trash-compactor genre buffet that smashes together a dozen things you’ve seen before. But that’s the hook. “Violent Night” is amusing in a few spots, wearying in more than a few others, but to complain about it in the way that I’m doing is to come off as churlish. It’s a movie that feeds the beast.

David Harbour gives off of a ping of likability, and that makes him the right actor to play a down-in-the-dumps, vengeance-is-mine Santa who is really, beneath his bloody mottled gray curls, the Christmas mensch we want him to be. John Leguizamo, as always, refuses to phone anything in; as Scrooge the sociopath who hates Christmas, he makes every obscenity pop. Beverly D’Angelo, Edi Patterson, and Cam Gigandet play the rest of the Lightstone clan as walking high-camp horrors, and Alexis Louder, as Jason’s estranged wife, lends a lone note of stubborn sanity to the proceedings. “Violent Night,” with its action-thriller soundtrack built around themes from classic Christmas songs, is a movie that makes you think: What’s next, “Massacre on 34th St.”? Christmas movies, like all Hollywood pulp, build on one another, and maybe this is just one more age-of-nothing-sacred holiday mish-mash, but “Violent Night,” depending on how it performs, could open the door to a new kind of down-and-dirty Christmas/action hybrid. Just imagine hearing lines like “God bless us — every one, motherfucker!” The possibilities are endless.

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Super Mario Bros. Movie Posters Show New Looks For Nintendo Characters



Illumination unveils more Super Mario Bros. Movie posters showing off the new looks for the beloved Nintendo characters for the animated adventure.

Hot off the premiere of a new trailer for the animated movie, a new set of The Super Mario Bros. Movie posters have been released to showcase the colorful cast of Nintendo characters. The video game publisher has partnered with Universal Pictures and Illumination Entertainment to give their most iconic video character new life on the big screen after the critical and box office disappointment of the 1993 live-action Super Mario Bros. The new animated take on Mario features an impressive cast including Chris Pratt, Anya Taylor-Joy, Charlie Day, Seth Rogen, Keegan-Michael Key, and Jack Black.


To coincide with the new trailer, Universal Pictures also released a series of The Super Mario Bros. Movie posters. The key arts highlight the main characters including Mario, Princess Peach, Luigi, Donkey Kong, Toad, and Bowser. Each character is given a unique location that will be showcased in the film and highlights the level of accuracy the filmmakers took to make the characters match their video game counterparts. Check out the posters below:

Super Mario Bros.’ Character Designs Are A Good Sign

Super Mario Bros Movie Rainbow Road

Ever since it was announced that Chris Pratt would be voicing Mario in The Super Mario Bros. Movie, the film has faced an uphill battle in trying to win fans over. The first teaser for the movie even held off on Mario, with the character getting only a minimal amount of dialogue. While audiences may still have a hard time getting used to his voice for the character, the faithfulness of the character designs showcased in the posters are likely to ease some concerns about the film.

The character designs for The Super Mario Bros. Movie capture the essence of the characters, with only some minor tweaks made to the faces to make them more expressive for an animated picture. It does not appear that The Super Mario Bros. Movie will suffer the same hiccup that Sonic the Hedgehog faced when audiences reacted so poorly to the title character’s design in the original teaser that the character had to be reworked and the film delayed. The creative team behind The Super Mario Bros. Movie has clearly gone to great lengths to maintain a level of visual accuracy to the video games.

As audiences head out to the theaters this holiday season for films like Avatar: The Way of Water, it is likely they will not only see the new The Super Mario Bros. Movie trailer, but also the character posters at various theaters across the country. The posters are colorful enough to catch the eyes of long-time fans, casual moviegoers who may recognize Mario, and young child audiences who are new to the character. Nintendo and Universal are hoping this pays off for a big box office intake as Nintendo is looking to develop more films while the Mario-themed land also set to open at Universal Studios Hollywood just ahead of the film’s release.

Source: Universal Pictures

Key Release Date

  • Mario Bros Film Poster

    The Super Mario Bros Film

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Oscars 2023 Will Include All 23 Categories Presented Live on Air (EXCLUSIVE)



All 23 categories will be aired during the Oscars 2023 telecast.

Bill Kramer, CEO of the Academy of Motion Picture Arts and Sciences, announced the news exclusively to Variety Tuesday morning. “I can confirm that all categories will be included in the live telecast,” he said.

The news comes after eight different Oscar categories — original score, makeup and hairstyling, documentary short, film editing, production design, animated short, live action short and sound — were cut from the main telecast at the 2022 Academy Awards, leading to much outrage across the film industry.

“We are committed to having a show that celebrates the artisans, the arts and sciences and the collaborative nature of moviemaking. This is very much what the mission of the Academy is, and I am very hopeful that we can do a show that celebrates all components of moviemaking in an entertaining and engaging way,” Kramer said.

Since his appointment in June, Kramer said he’s had many conversations about restoring the missing categories: “We are thrilled to be in a position to execute that.”

Jimmy Kimmel will return for the third time to host the Oscars. Kramer said he was excited to have the late-night host back. “I love having someone hosting the show who knows live television. I think that’s so critical,” he said.

When asked about what else audiences can expect from the telecast, Kramer said, “All I will say right now is that our anniversary, the 95th Oscars, is extremely important to us. I think it sets a really interesting rhythm for our 100th. You see this in the museum, I think we are able to celebrate our legacy while bringing the Academy into the future and the show will reflect that.”

Executive producers and showrunners Glenn Weiss and Ricky Kirshner of White Cherry Entertainment will produce the Oscars, and Weiss returns, for the eighth consecutive year, as the show’s director. The 95th Academy Awards will take place on March 12, 2023, live from the Dolby Theatre at Ovation Hollywood. The ceremony will be televised live on ABC and in more than 200 territories worldwide

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