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The DCEU’s Best Future Kills The Justice League

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The DCEU‘s best future is to kill the Justice League mentality and focus on team-up movies that lead to bigger event titles. Thus far, the DCEU has focused primarily on solo efforts and sequels, as well as one-offs that aren’t connected to the broader universe at all. Director Zack Snyder initially began his run on the DCEU with Man of Steel, then continued with Batman v Superman: Dawn of Justice and Justice League. The latter two movies started the team-up model, but the idea was quickly abandoned after the box office failure of Justice League, sending the DCEU back to basics.

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With films like Todd Phillips’s Joker and Matt Reeves’s The Batman, the DCEU is splintering into factions, leaving a confusing through-line to follow when it comes to making sense of where all the characters fit in this massive universe. Wonder Woman, Aquaman, The Flash, Shazam!, and the upcoming Black Adam all appear to fit in with the main DCEU, but it’s a puzzling line-up when the films continue to be solo efforts with little teases of a broader universe, rather than a full immersion into the bigger picture. This is something the MCU has done exceptionally well, not playing coy when it comes to how connected it all is, thereby making it all feel much more connected and compelling.


While it can be artistically freeing for the filmmakers behind the solo efforts in the DCEU series, it comes at a cost when these movies all but ignore the broader universe. If the DCEU wants to be a true cinematic universe, then it needs to embrace team-ups, similar to the way DC’s comics do. Having other heroes and villains appear, even in cameo roles, can help immensely in opening up the DCEU, which frequently feels tied to just the main character and their world, rather than the vast one they actually exist in. This would not take away from the lead character’s journey or focus, but rather enhance it by having them interact with another hero, or villain, within the bigger DCEU. Taking this route would also serve to lay the foundation for building up to an event-size film, be it another Justice League or something else, which would pull these team-up threads together and make the DCEU feel more like a truly connected universe of superheroes and supervillains.


Team-Ups Are A Staple In The Comic Books (And Should Be For The Movies)

Visit any comic book shop and look at a copy of a solo title, such as Batman, Wonder Woman, The Flash, etc., and a team-up with another hero is almost always on the page, be it a small appearance or full-on collaboration. It’s a common thread in all comics — not just DC — to have other heroes and villains appear in solo books, thereby enhancing the appeal and challenging both characters as they work together, or butt heads, over a common goal. It fleshes out each individual character immensely, as readers are able to see how they behave, think, fight, etc., with fellow superheroes, or villains, making the universe feel that much larger and connected. This is exactly the model that should’ve been used for the DCEU. It’s a more natural process to bring these characters together, rather than keep them at arm’s length with a hint of a future team-up and forcing the event film in question to play catch up, rather than building upon an already established connection.


Heroes (And Villains) Appearing Together Make Things More Interesting

While origin films serve a distinct purpose in setting up a particular character, such as Aquaman, Shazam, or Wonder Woman, once they’re established, the characters should be free to explore their new world by interacting with other superheroes within their universe. Having superheroes meet, team up, or even fight, helps to show their place in that world and the overall effect they have in it. These interactions give depth, meaning, and coherency to the DCEU at large, making everything more interesting while building up relationships that can pay off in future films, spinoffs, or larger event films, giving weight and excitement to what comes next. The upcoming The Flash solo movie appears to be taking this angle, as it has multiple Batmans, plus Supergirl, as the DCEU’s version of the multiverse is established. This will no doubt help make everything feel bigger, more intriguing, and more united.


Team-Ups Will Make DC Event Films Feel Much More Exciting

While Zack Snyder’s Justice League is a monumental achievement, it lacked the hype momentum of relationships built prior to its debut. Batman v Superman: Dawn of Justice served as a good appetizer to that journey, but the DCEU needed a few more team-up style solo films like it before going fully into Justice League, as too many characters were introduced there that should’ve been established much earlier. Having characters team up after forging a history together, as well as giving audiences a chance to get to know who they are and what their specific journey is, makes the proceedings that much more compelling.

The MCU movie Captain America: Civil War, which is by definition a solo film, ultimately served as a massive team-up film that built upon events, interactions, and relationships previously established in that universe, making the stakes higher, the characters more interesting, and the events more exciting. While this may seem like an argument to make the DCEU more like the MCU, it’s actually a case for making the DCEU more like its own comic book model, utilizing the vast array of characters that exist in the DC universe to help tell the story, rather than partitioning it off. Building up steam with team-up films creates consistency, coherency, and strong relationships, making the eventual event films a more exciting investment than they would be with a series of barely connected solo films and sequels that suddenly thrust a major collaboration together — as with Justice League — to audiences with little-to-no congruence, background, or hype.


  • Black Adam (2022)Release date: Oct 21, 2022
  • Shazam! Fury of the Gods (2022)Release date: Dec 21, 2022
  • Aquaman and the Lost Kingdom (2023)Release date: Mar 17, 2023
  • The Flash (2023)Release date: Jun 23, 2023
  • Blue Beetle (2023)Release date: Aug 18, 2023




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TCM Sets Warner Bros. 100th Anniversary Program Slate Including 10 Restored Classic Films

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Warner Bros. will commemorate its 100th anniversary with a block of programming on Turner Classic Movies starting April 1.

TCM will broadcast remastered and newly restored versions of 10 classic Warner Bros. films, each featuring an introduction from a filmmaker or film expert culled from the network’s ongoing partnership with the Film Foundation, a non-profit preservation and exhibition organization. The program coincides with the April 13-16 run of the TCM Classic Film Festival in Hollywood.

On April 13, a new 4K restoration of 1959’s “Rio Bravo,” Howard Hawks’ classic western starring John Wayne, Dean Martin, Ricky Nelson and Angie Dickinson, will premiere on TCM and serve as the opening night film of the festival. Dickinson will attend the in-person event, while Martin Scorsese will introduce the film on TCM’s small-screen presentation. Similarly, Warner Bros. will premiere a new 4K restoration of Elia Kazan’s “East of Eden,” starring James Dean, on both the big screen and the network, the latter featuring an introduction by filmmakers Wes Anderson and Joanna Hogg.

Other films planned for broadcast on TCM include “Land of the Pharaohs” and “Storm Warning” (both introduced by Scorsese), “Rachel, Rachel” (introduced by Ethan Hawke), “Safe in Hell” (by Alexander Payne), and “A Lion is in the Streets,” introduced by Daphne Dentz and Robyn Sklaren of the Warner Bros. Discovery Library.

TCM additionally plans to program trailers, archival interviews, documentaries and other ephemera from Warner Bros., complementing festival programs such as “Looney Tunes at the Oscars” and “Warner Bros. Coming Attractions,” panels exploring the studio’s extensive history.



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Jeff Goldblum Addresses His Jurassic Park Costar’s Cancer Diagnosis

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Jurassic Park star Jeff Goldblum has addressed his costar Sam Neill’s diagnosis of stage 3 blood cancer. Goldblum portrayed mathematician Dr. Ian Macolm in the first Jurassic Park film opposite Neill’s paleontologist Dr. Alan Grant. He returned to his role as Ian in The Lost World: Jurassic Park and in Jurassic World: Dominion, the latter of which saw him reunite with Neill in the franchise for the first time since Spielberg’s original film.


Speaking with Evening Standard, Goldblum opened up about Neill’s diagnosis of stage 3 blood cancer, which the Jurassic Park actor revealed in his recent autobiography. He quietly spoke about Neill’s remission, hopeful that the actor would recover soon. Read what Goldblum had to say below:

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“He shared it with us early on. He’s been in constant touch with me and, well, he looks fantastic, he sounds great. Hopefully, he’s as healthy as a horse now. I just adore him.”


How Jeff Goldblum & Sam Neill’s Jurassic Park Roles Defined Them

Having starred in Jurassic Park in 1993, Goldblum and Neill have continued to be friends since taking their roles in the dinosaur franchise. During the production of Jurassic World: Dominion and while dealing with the Covid pandemic, the duo began singing and posting cover songs online. The pair are good friends, which makes Goldblum’s well wishes for Neill’s recovery process all the more heartwarming.

Goldblum and Neill are also the only actors whose Jurassic Park characters visited Isla Sorna on the big screen. Ian Malcolm went to Site B in The Lost World: Jurassic Park to document the dinosaurs, while Alan Grant visited the island in Jurassic Park III after being hired to find a lost boy. Their return in subsequent Jurassic Park sequels underscores their roles as the heart of the franchise, made all the more prominent because of their reunion in Jurassic World: Dominion.

Thankfully, Neill’s cancer has been in remission for the last eight months, indicating the treatment he went through has been working to save his life. The talented actor is already filming a new project as well, having reassured his fans in an Instagram post earlier this week that he is doing well. Goldblum’s concern for his friend is one of many well wishes the Jurassic Park star has received as he continues to recover from his diagnosis.

Source: Evening Standard

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Vanessa Hudgens Sets Philippines Travel Documentary Exploring Her Family’s Asian Heritage

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Vanessa Hudgens, the Asian American actor whose career kicked off in Disney’s “High School Musical” series, is set to shoot a travel documentary in the Philippines, the country of her mother’s birth.

The untitled project will shoot in Palawan and Manila in March. Paul Soriano is attached as a director, producer and executive producer. Mark A. Victor of TEN17P will also serve as executive producer. No distributor, broadcaster or streaming platform has yet been disclosed.

Soriano’s recent credits include directing the 2019 film “Mañanita” and Manny Pacquiao biopic “Kid Kulafu.”

The documentary is said to showcase the relationship between Hudgens and her Filipino mother, Gina, who emigrated to the U.S. at the age of 25, as well as Hudgens’ sister, Stella.

Since “High School Musical,” Hudgens has notched up key roles in “Spring Breakers”, “Gimme Shelter,” “Bad Boys for Life,” and the Oscar-nominated Lin-Manuel Miranda-directed musical “Tick, Tick …Boom!” Hudgens executive produced and starred in the film “The Knight Before Christmas” and all three installments of “The Princess Switch” series for Netflix. Hudgens is next set to star in the upcoming films “French Girl” and “Bad Boys 4.”

“I feel like ours is such a relatable story to so many women all over the world,” Hudgens said in a statement announcing the documentary. “The more that we can share, the more we can lift each other up.”

“We are honored to work with Vanessa for this film project. It’s inspiring to note that with everything she has achieved in life, she wants to discover her Filipino roots and pay homage to her mother’s country. Hopefully, this opens doors for many more collaborations to come,” said Soriano in a statement.

Soriano previously produced “A Lullaby to the Sorrowful Mystery” (2016), which won a special film award at the Berlin International Film Festival, and “Transit” in 2013, which was selected as the Philippines’ entry for the foreign language film category at the Academy Awards. He is also a presidential creative adviser to the Philippines’ government.

Hudgens is repped by CAA, Untitled Entertainment, the Lede Company and Ziffren Brittenham.



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