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Why MCU’s Iron Man Post-Credits Trick Isn’t Working In Phase 4

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MCU Phase 4 is debuting a lot of new characters through post-credits scenes, but nothing has worked as well as Nick Fury’s stinger in Iron Man.

Marvel Studios is desperately trying to repeat Iron Man‘s post-credits trick, but because of one particular reason, it isn’t working in MCU Phase 4. After the events of the Infinity Saga, Kevin Feige and his team are busy rebuilding the Marvel Cinematic Universe – and they are currently setting the groundwork for their next culminating event. Since the franchise appears to be at another starting point again, it’s understandable that Marvel Studios’ moves to set up Phase 4 are drawing comparisons with their MCU Phase 1 blueprint.

At this point, it’s still to early gauge what Marvel Studios’ long-term plan is. Unlike Phase 1, where films were clearly being woven together leading to The Avengers, there is barely a single common denominator among all of the MCU Phase 4 projects. Instead, most of their stories exist in their own pockets of the universe. One thing that Marvel Studios seems to be trying to copy from Phase 1 is using post-credits scenes to introduce new characters. This approach worked really well when debuting Nick Fury (Samuel L. Jackson) in Iron Man’s stinger, so it is sensible that they are trying to emulate its success once again. 

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Sadly, however, Marvel Studios’ attempts at recreating their original post-credits trick’s impact for the wider MCU aren’t working. Both Phase 4 films and TV shows have used post-credits scenes to introduce new characters: Eternals had Pip the Troll (Patton Oswalt) and Eros (Harry Styles), Doctor Strange in the Multiverse of Madness had Clea (Charlize Theron), Moon Knight had Jake Lockley (Oscar Isaac), and more recently Thor: Love & Thunder had Hercules (Brett Goldstein). Yet none of these reveals have had the same effect as Fury’s Iron Man post-credits scene debut because, unlike the former SHIELD director, none of these characters have made another appearance since their arrival. Fury, on the other hand, immediately became a primary player in Iron Man 2, followed by his stinger involvement in Thor and Captain America: The First Avenger. Despite not being physically present in The Incredible Hulk, he was at least mentioned. All of these cameos led to The Avengers – where he solidified his place in the MCU’s Phase 1 storytelling. 


Phase 4’s Post-Credits Prove The MCU’s Future Problem

Aside from the fact that Marvel Studios’ Phase 4 post-credits strategy appears designed for shock value rather than cohesive storytelling, it’s also indicative of a bigger issue plaguing the franchise. Because of the sheer number of projects that they are releasing, sequels and other follow-ups take a lot longer to arrive in Phase 4 than they did in Phase 1. For example, with no word yet regarding when Doctor Strange 3 will release, it’s uncertain when Clea will be properly introduced into the universe. The same is true with Pip and Eros after Eternals.

It must be said that after Thanos’ The Avengers stinger introduction, it took several years before his next outing in Guardians of the Galaxy, and then a few more until his proper introduction in Avengers: Infinity War. However, he was unique in the way that he was the Infinity Saga’s big bad, meaning it made sense to ratchet up tension ahead of his proper reveal. Simply put, Marvel Studios cannot take this approach for multiple characters in Phase 4. In Phase 1, the franchise kept its storytelling streamlined, focusing on introducing each founding Avenger and bringing them all together for the Battle of New York, but in Phase 4, each of its films already feels incredibly interconnected to the wider MCU. 


As exciting as it is to have a constant stream of MCU projects, there are concerns that it is getting too big for its own good. Given this, the MCU shouldn’t simply re-use its old storytelling tricks because they aren’t guaranteed to work, and the franchise has changed significantly since it was launched. The prime example of this overreliance on old tricks is the MCU Phase 4’s continued attempts to recreate Iron Man‘s successful post-credits debut for Nick Fury and its problematic Phase 4 stinger obsession – which must change moving forward.



  • Black Panther: Wakanda Forever/Black Panther 2 (2022)Release date: Nov 11, 2022
  • Ant-Man and the Wasp: Quantumania (2023)Release date: Feb 17, 2023
  • Guardians of the Galaxy Vol. 3 (2023)Release date: May 05, 2023
  • The Marvels/Captain Marvel 2 (2023)Release date: Jul 28, 2023




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TCM Sets Warner Bros. 100th Anniversary Program Slate Including 10 Restored Classic Films

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Warner Bros. will commemorate its 100th anniversary with a block of programming on Turner Classic Movies starting April 1.

TCM will broadcast remastered and newly restored versions of 10 classic Warner Bros. films, each featuring an introduction from a filmmaker or film expert culled from the network’s ongoing partnership with the Film Foundation, a non-profit preservation and exhibition organization. The program coincides with the April 13-16 run of the TCM Classic Film Festival in Hollywood.

On April 13, a new 4K restoration of 1959’s “Rio Bravo,” Howard Hawks’ classic western starring John Wayne, Dean Martin, Ricky Nelson and Angie Dickinson, will premiere on TCM and serve as the opening night film of the festival. Dickinson will attend the in-person event, while Martin Scorsese will introduce the film on TCM’s small-screen presentation. Similarly, Warner Bros. will premiere a new 4K restoration of Elia Kazan’s “East of Eden,” starring James Dean, on both the big screen and the network, the latter featuring an introduction by filmmakers Wes Anderson and Joanna Hogg.

Other films planned for broadcast on TCM include “Land of the Pharaohs” and “Storm Warning” (both introduced by Scorsese), “Rachel, Rachel” (introduced by Ethan Hawke), “Safe in Hell” (by Alexander Payne), and “A Lion is in the Streets,” introduced by Daphne Dentz and Robyn Sklaren of the Warner Bros. Discovery Library.

TCM additionally plans to program trailers, archival interviews, documentaries and other ephemera from Warner Bros., complementing festival programs such as “Looney Tunes at the Oscars” and “Warner Bros. Coming Attractions,” panels exploring the studio’s extensive history.



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Jeff Goldblum Addresses His Jurassic Park Costar’s Cancer Diagnosis

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Jurassic Park star Jeff Goldblum has addressed his costar Sam Neill’s diagnosis of stage 3 blood cancer. Goldblum portrayed mathematician Dr. Ian Macolm in the first Jurassic Park film opposite Neill’s paleontologist Dr. Alan Grant. He returned to his role as Ian in The Lost World: Jurassic Park and in Jurassic World: Dominion, the latter of which saw him reunite with Neill in the franchise for the first time since Spielberg’s original film.


Speaking with Evening Standard, Goldblum opened up about Neill’s diagnosis of stage 3 blood cancer, which the Jurassic Park actor revealed in his recent autobiography. He quietly spoke about Neill’s remission, hopeful that the actor would recover soon. Read what Goldblum had to say below:

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“He shared it with us early on. He’s been in constant touch with me and, well, he looks fantastic, he sounds great. Hopefully, he’s as healthy as a horse now. I just adore him.”


How Jeff Goldblum & Sam Neill’s Jurassic Park Roles Defined Them

Having starred in Jurassic Park in 1993, Goldblum and Neill have continued to be friends since taking their roles in the dinosaur franchise. During the production of Jurassic World: Dominion and while dealing with the Covid pandemic, the duo began singing and posting cover songs online. The pair are good friends, which makes Goldblum’s well wishes for Neill’s recovery process all the more heartwarming.

Goldblum and Neill are also the only actors whose Jurassic Park characters visited Isla Sorna on the big screen. Ian Malcolm went to Site B in The Lost World: Jurassic Park to document the dinosaurs, while Alan Grant visited the island in Jurassic Park III after being hired to find a lost boy. Their return in subsequent Jurassic Park sequels underscores their roles as the heart of the franchise, made all the more prominent because of their reunion in Jurassic World: Dominion.

Thankfully, Neill’s cancer has been in remission for the last eight months, indicating the treatment he went through has been working to save his life. The talented actor is already filming a new project as well, having reassured his fans in an Instagram post earlier this week that he is doing well. Goldblum’s concern for his friend is one of many well wishes the Jurassic Park star has received as he continues to recover from his diagnosis.

Source: Evening Standard

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Vanessa Hudgens Sets Philippines Travel Documentary Exploring Her Family’s Asian Heritage

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Vanessa Hudgens, the Asian American actor whose career kicked off in Disney’s “High School Musical” series, is set to shoot a travel documentary in the Philippines, the country of her mother’s birth.

The untitled project will shoot in Palawan and Manila in March. Paul Soriano is attached as a director, producer and executive producer. Mark A. Victor of TEN17P will also serve as executive producer. No distributor, broadcaster or streaming platform has yet been disclosed.

Soriano’s recent credits include directing the 2019 film “Mañanita” and Manny Pacquiao biopic “Kid Kulafu.”

The documentary is said to showcase the relationship between Hudgens and her Filipino mother, Gina, who emigrated to the U.S. at the age of 25, as well as Hudgens’ sister, Stella.

Since “High School Musical,” Hudgens has notched up key roles in “Spring Breakers”, “Gimme Shelter,” “Bad Boys for Life,” and the Oscar-nominated Lin-Manuel Miranda-directed musical “Tick, Tick …Boom!” Hudgens executive produced and starred in the film “The Knight Before Christmas” and all three installments of “The Princess Switch” series for Netflix. Hudgens is next set to star in the upcoming films “French Girl” and “Bad Boys 4.”

“I feel like ours is such a relatable story to so many women all over the world,” Hudgens said in a statement announcing the documentary. “The more that we can share, the more we can lift each other up.”

“We are honored to work with Vanessa for this film project. It’s inspiring to note that with everything she has achieved in life, she wants to discover her Filipino roots and pay homage to her mother’s country. Hopefully, this opens doors for many more collaborations to come,” said Soriano in a statement.

Soriano previously produced “A Lullaby to the Sorrowful Mystery” (2016), which won a special film award at the Berlin International Film Festival, and “Transit” in 2013, which was selected as the Philippines’ entry for the foreign language film category at the Academy Awards. He is also a presidential creative adviser to the Philippines’ government.

Hudgens is repped by CAA, Untitled Entertainment, the Lede Company and Ziffren Brittenham.



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