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David Warner, who played villain in ‘Titanic,’ dies at 80



David Warner, the English actor who gave memorable performances on the big screen, in a key role in “The Omen,” and as villains in “Time After Time,” “Time Bandits” and “Tron,” has died. He was 80.

The actor died of a cancer-related illness on Sunday in London, his family told the BBC. “Over the past 18 months he approached his diagnosis with a characteristic grace and dignity,” his family said in a statement shared with the public broadcaster.

“He will be missed hugely by us, his family and friends, and remembered as a kind-hearted, generous and compassionate man, partner and father, whose legacy of extraordinary work has touched the lives of so many over the years. We are heartbroken,” the statement continued.

Warner was Emmy-nominated for playing Reinhard Heydrich, a Nazi official who was a key architect of the Final Solution, in the landmark 1978 miniseries “Holocaust,” and won an Emmy for playing the sadistic Roman political opportunist Pomponius Falco in the 1981 miniseries “Masada.”

He reprised the role of the Nazi Heydrich in the 1985 telepic “Hitler’s S.S.: Portrait in Evil.”

Recently, Warner appeared in Disney’s “Mary Poppins Returns” in 2018, “You, Me and Him” in 2017 and on Showtime’s “Penny Dreadful” as Professor Abraham Von Helsing in 2014. He was among the large cast of James Cameron’s 1997 epic “Titanic” but was wasted in the role of a thug-like butler. He played a simian senator in Tim Roth’s 2001 reimagining of “Planet of the Apes” and a doctor in the 2005 hit comedy “Ladies in Lavender.”

The mid ’70s and to mid ’80s probably represented the zenith of the actor’s career.

In 1976’s “The Omen,” one of the seminal horror movies of the 1970s, he played Jennings, the photographer who develops images on which the specific manner of death for the individuals depicted is superimposed. He was subjected to a memorable decapitation in the film.

He played Stevenson, a friend of H.G. Wells, who turns out to be a chilling Jack the Ripper, in the excellent 1979 thriller “Time After Time,” which posits that Wells actually created the time machine he described in his book; Wells (played by Malcolm McDowell, who himself usually played villains) must follow Warner’s Jack the Ripper into the future, to contemporary San Francisco, in an effort to defeat him.

The same year Warner starred with Nick Mancuso in killer-bat horror film “Nightwing” (the New York Times said: “Mr. Warner is quite funny — intentionally, I suspect — when he attempts to explain his fanaticism. He fairly shakes with moral indignation as he describes a typical bat cave with ‘millions of bats wrestling, fighting, mating, hanging upside down…They are the quintessence of eeevilll!’”

Warner in 1982’s “Tron.”Everett Collection

In 1982’s “Tron,” boasting then-state-of-the-art special effects, Warner is a villain named Dillinger who steals the plans for some video games and breaks down our hero, played by Jeff Bridges, into the ones and zeroes that represent life within the computer, where the two battle in a landscape within that world that was unlike anything that had been seen before.

Other significant credits from this period include Terry Gilliam’s 1981 “Time Bandits,” in which Warner played a villain simply called Evil, and 1985’s “The Company of Wolves,” director Neil Jordan’s exploration into the Red Riding Hood fairy tale in which Warner starred with Angela Lansbury.

The actor made three films with director Sam Peckinpah: “The Ballad of Cable Hogue” (1970), in which his performance as a somewhat eccentric minister marked one of his first feature appearances, 1971’s “Straw Dogs” and 1977 WWII thriller “Cross of Iron.”

Warner was also tied to various franchises, including “Star Trek.” He played two unrelated roles in “Star Trek” movies. In “Star Trek V: The Final Frontier” (1989), he played St. John Talbot, the broken-down, cigarette-smoking Federation ambassador to Nimbus III, who, like his Romulan and Klingon counterparts, comes under the influence of the renegade Vulcan Sybok; in “Star Trek: The Undiscovered Country” (1991), he played Gorkon, chancellor of the Klingon High Council, who pursued peace with the Federation but was murdered.

The Omen, David Warner, Gregory Peck, 1976.
Warner in “The Omen.” Everett Collection

And on TV, in the two-part “Chain of Command” (1992), the only truly disturbing episode in “Star Trek: The Next Generation,” Warner gave a tour de force performance as Gul Madred, a Cardassian intelligence officer who tortures a captured Captain Picard both physically and psychologically.

The actor was also tied to the U.K.’s iconic “Doctor Who” series, voicing Lord Azlok in the “Dreamland” miniseries in 2009 and appearing as Professor Grisenko in 2013.

He played ruthless businessman Thomas Eckhardt in David Lynch’s seminal “Twin Peaks” series in 1991. In the similarly enigmatic miniseries “Wild Palms,” he played Eli Levitt, a former history professor who’s founder of libertarian movement the “Friends” and is imprisoned for terrorism. More recently he recurred on the popular “Wallender” mystery series, starring Kenneth Branagh, as Wallender’s father in 2008-10.

David Warner was born in Manchester, England. His father changed jobs frequently, which meant the family moved from town to town, and David from school to school, where he performed poorly. His parents separated, and years went by before he saw his mother again — and then only on her deathbed.

He receiving his training as an actor at the Royal Academy of Dramatic Art (RADA) in London.

Warner made his professional stage debut at the Royal Court Theatre in January 1962, playing the minor role of Snout in “A Midsummer Night’s Dream,” directed by Tony Richardson. In March at the Belgrade Theatre, Coventry, he played Conrad in “Much Ado About Nothing,” and in June he appeared as Jim in David Rudkin’s “Afore Night Come” at the New Arts Theatre in London.

He joined the Royal Shakespeare Company in Stratford-upon-Avon in April 1963, playing Trinculo in “The Tempest” and Cinna the Poet in “Julius Caesar”; in July he played Henry VI in the John Barton adaptation of “Henry VI,” Parts I, II and III. At the Aldwych Theatre, London, he reprised the role of Henry VI in the complete Wars of the Roses history cycle in 1964. Returning to Stratford in April, he performed the title role in “Richard II,” Mouldy in “Henry IV, Part 1” and “Henry VI.” At the Aldwych in October 1964, he was cast as Valentine Brose in Henry Livings’ play “Eh?,” reprising the role in the 1968 film adaptation “Work Is a Four-Letter Word.”

He played the title role in “Hamlet” at the Royal Shakespeare Theatre in 1965. His “Hamlet” was revived in the 1966 Stratford season, and he played Sir Andrew Aguecheek in “Twelfth Night.” At the Aldwych in January 1970, he played Julian in Edward Albee’s “Tiny Alice.”

Warner’s other theater work has included “The Great Exhibition at Hampstead Theatre” and “I, Claudius,” both in 1972.

The actor made his big screen debut with a supporting role in 1963 film “Tom Jones,” starring Albert Finney.

Warner starred with Vanessa Redgrave in Karel Reisz’s 1966 feature comedy “Morgan — A Suitable Case for Treatment,” in which he played a man obsessed with Karl Marx and gorillas who resorts to all sorts of bizarre tactics to prevent his upper-class ex-wife from remarrying. At Cannes the film was nominated for the Palme d’Or, and Redgrave was nominated for an Oscar.

In Sidney Lumet’s 1968 Chekhov adaptation of “The Sea Gull,” he played Konstantin, the writer son of Simone Signoret’s Arkadina. The same year he appeared in a Peter Hall-directed adaptation of “A Midsummer Night’s Dream” as Lysander.

After “The Ballad of Cable Hogue” in 1970, he starred with Jane Fonda in Joseph Losey’s 1973 adaptation of “A Doll’s House.”

In 2001 he made his American stage debut — and returned to the theater after decades away — playing Andrew Undershaft in a Broadway revival of “Major Barbara” that also featured Dana Ivey and Cherry Jones.

Back in the U.K., he subsequently appeared in “A Feast of Snails” at the Lyric Theatre in 2002 and “Where There’s a Will” at the Theatre Royal, Bath. In 2005 he played the title role in “King Lear” at Chichester Festival Theatre.

He returned to Stratford for the first time in more than four decades in August 2007, as an RSC Honorary Artist, to play Sir John Falstaff in the Courtyard Theatre revival of “Henry IV, Part 1” and “Henry IV, Part 2.”

Warner was also a voiceover artist who contributed to animated series including “The Legend of Prince Valiant” (as Duke Richard of Lionsgate), “Batman: The Animated Series” (as Ra’s al Ghul), “Gargoyles” (as Archmage), “Freakazoid” (as the Lobe), “Spider-Man” (Herbert Landon), “Toonsylvania,” “Superman,” “Batman Beyond,” “Buzz Lightyear of Star Command,” “Men in Black: The Series” and a variety of videogames.

The actor was twice married and divorced, first to Harriet Lindgren (1969-72), then to Sheilah Kent (1979-2005).

His survivors include his son Luke and daughter-in-law Sarah and his partner Lisa Bowerman.

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Sarah Hyland Threatened to Walk Out of Her Own Wedding to Wells Adams If He Didn’t Do This One Thing



Sarah Hyland had specific instructions for Wells Adams on their wedding day. On Monday’s episode of The Kelly Clarkson Show, the Modern Family star confirms that she requested that Adams bring the tears during their nuptials. 

“Yes,” Hyland tells Clarkson after she asks her about the moment. “I actually, specifically, verbatim said, ‘If I don’t see you crying when I walk down the aisle, I’m turning around.’ And he did cry.”

Hyland, 32, and Adams, 38, tied the knot during a star-studded ceremony in August. The pair, finally, made it to the altar following a three-year engagement.  

The ceremony, which was held in Santa Barbara, California, was officiated by Hyland’s Modern Family co-star, Jesse Tyler Ferguson, who stepped in to officiate when their co-star, Ty Burrell, had a family emergency.  

“So, I sent a text message to Jesse, ’cause we’re obviously very, very close and I was like, ‘Fake TV uncle, real-life friend, Tony Award-winning Jesse Tyler Ferguson, will you marry us?’ And he so graciously did it,” she said of asking the actor to step in.  

Hyland also adds that Ferguson flashed his clergy badge the entire evening. 

Other Modern Family alums in attendance included Sofia Vergara, Julie Bowen, Ariel Winter and Nolan Gould. 

Married life has been “amazing” for the Pitch Perfect: Bumper in Berlin star. During a recent chat with ET, Hyland gave an update on life since saying “I do.”  

“Wells and I keep saying we wish we were guests at our own wedding,” Hyland joked, explaining that the celebration was truly wild. Hyland added, “It’s really great. We’re feeling very good about everything. For me, I was like, ‘I feel like a grown-up now!'” 

In October, Adams dished to ET about married life and his and Hyland’s plans when it comes to expanding their family. 

“I think eventually [we want kids], but we’re both so busy right now. I’ve got two shows out right now,” Adams said of Bachelor in Paradise and Best in Dough, before adding of his wife, “She just did Love Island. She’s got [Play-Doh] Squished coming out in November. [Pitch Perfect:] Bumper in Berlin is also coming out pretty soon. She’s got a movie that she’s going to work on I think pretty soon, as well.”

He added, “I think we’re just going to try to focus on work for a little bit and then maybe down the road have a couple kids.”



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Chloë Grace Moretz Got Candid About Having Older Men “Infantilize” Her As A Child Star



Chloë Grace Moretz is getting super candid about her experiences navigating the Hollywood industry as a child star.

Chloë was just 6 when she landed her first movie role in Heart of the Beholder in 2005. The year prior, she briefly featured in the CBS drama series The Guardian.

She gained prominence in the industry at the age of 12 after starring in the hit 2010 film Kick-Ass alongside Aaron Taylor-Johnson and Nicolas Cage.

By 14, had Chloë landed her first leading project with Carrie (2013), in which she played the titular character, Carrie White. She later went on to appear in several popular films, including Neighbors 2 and If I Stay.

But in spite of her years of experience in the industry, Chloë still found herself being “shot down” by others — most of whom, she says, were older men — when trying to bring her ideas to the table.

On the Reign With Josh Smith podcast this week, Chloë, now 25, opened up about having to deal with people on set who were “unhappy with a young woman” in her position.

“It was always odd from my first leading role when I was 14 in Carrie,” she said. “It was always really interesting to see who would be really unhappy with a young woman.”

“At that point, I had already worked for so many years — almost 10 years — and as I continued through having more important roles on set as I grew up, it was always very interesting to see the pushback that I would get from a lot of people,” she went on.

“The majority of it was older men for sure who would infantilize me,” Chloë said. “If I had real things to bring to the table, a lot of the time it would get shot down.”

“It was a really wild power struggle and power dynamic as a young girl who had worked for already 10, 11, 12 years, throughout my teenage years and was the lead of movies, but was still a kid in every sense of the word,” she continued.

“I felt like I was always really fighting against trying to figure out how to conduct myself in a way that I’ll be respected, so I can be respected on set and given the credit that I felt that I deserved,” she said.

“To have a voice in the same game when I’m playing characters that are my age, I’m advocating for female characters of my exact age at the time. And having to even advocate to an older man on behalf of your 14-, 15-, 16-year-old self is a really, really crazy kind of mindfuck,” she added.

Chloë said she learned to be “very sweet” and “back-footed” in how she approached these older men with her ideas.

“It taught me how to propose questions and in a way to make the ideas their ideas, so then it would come back around and be like, ‘Oh my god, what a novel idea that you have on behalf of my character that I totally did not propose to you in no special way,’” she said.

“It was an interesting dynamic and as I grew up and as my characters grew up, I always had to be very sweet and very kind of back-footed in the way that I proposed things, but strong,” she added.

Elsewhere on the podcast, Chloë discussed how she experienced “anxiety and guilt” after getting used to “people-pleasing.” She said, “I always operated for a long time under this guise of what I wanted to achieve outwardly. … Even just in my small groups in my life and people around me, I was just people-pleasing.”

Chloë’s latest comments come just two months after she opened up about struggling with anxiety and body dysmorphia thanks to a “horrific” viral meme about her physique.

The meme, which features an edited photo of Chloë alongside Family Guy character Legs Go All the Way Up Griffin, saw the young actor trending across social media when it was first created in 2016.

“I’ve actually never really talked about this, but there was one meme that really affected me, of me walking into a hotel with a pizza box in my hand,” Chloë told Hunger magazine in September. “And this photo got manipulated into a character from Family Guy with the long legs and the short torso, and it was one of the most widespread memes at the time.”

“Everyone was making fun of my body and I brought it up with someone and they were like, ‘Oh, shut the fuck up, it’s funny,’” she recalled.

Chloë said she became “severely anxious” anytime she was photographed as a result of the public mockery, and she wound up becoming a recluse.

“I basically became a recluse,” she said. “It was great because I got away from the photographers and I was able to be myself, and to have so many experiences that people didn’t photograph, but at the same time, it made me severely anxious when I was photographed. My heart rate would rise and I would hyperventilate.”

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Will Smith explains how he talked to his nephew, 9, about Oscars slap



Will Smith said his infamous slap at the 2022 Academy Awards ceremony was the result of “a rage that had been bottled for a really long time.”

In an interview on “The Daily Show with Trevor Noah,” the actor opened up about why he slapped Chris Rock, and how, after the incident, his 9-year-old nephew’s reaction broke his heart.

“We came home, and he had stayed up late to see his Uncle Will,” Smith said. “We’re sitting in my kitchen, and he’s on my lap and he’s holding the Oscar. And he’s just like, ‘Why did you hit that man Uncle Will?'”

“D— it!” Smith recalled of his reaction, wiping away tears. “Why are you trying to Oprah me?”

Smith gave more details from the ceremony, which Noah described as what he thought was “one of the best days of your life and one of the worst days” of Smith’s life.

“That was a horrific night, as you can imagine,” Smith said. “You know, there’s many nuances and, and complexities to it, but at the end of the day, I just lost it.”

Will Smith slaps Chris Rock on stage during the 94th Oscars at the Dolby Theatre in Hollywood, California on March 27, 2022.Robyn Beck / AFP via Getty Images

“It was a lot of things,” he continued. “It was the little boy that watched his father beat up his mother, you know, all of that just bubbled up … that’s not who I want to be.”

Smith, who is promoting the film “Emancipation” — his first movie since the troubling incident — said he is afraid the team behind the movie may get denied awards consideration because of his actions.

“These top artists in the world have done some of the best work of their career. And the idea that they might be denied because of me is like…” Smith trails off, before groaning and hitting his head against the desk.

“That is killing me dead,” he added.

Smith slapped Rock after the comedian was on stage at the March 27 Oscars ceremony.

Rock cracked a joke about Smith’s wife’s bald head while presenting an award. Jada Pinkett Smith has alopecia, an autoimmune disorder that causes hair loss.

Will Smith, Chris Rock
Will Smith hitting Chris Rock as he spoke on stage during the 94th Academy Awards.Brian Snyder / Reuters

Smith issued several apologies in the days and weeks following the incident, and resigned from the from the Academy of Motion Picture Arts and Sciences on April 1.

A week later, the Academy banned Smith from all of the organization’s events for 10 years. His resignation and ban do not prevent him from being nominated for or winning future awards.

Rock has performed stand-up shows since the slap, and addressed the controversy during a performance in July.

“Anyone who says words hurt has never been punched in the face,” Rock said, later adding, “I’m not a victim. Yeah, that s— hurt … But I shook that s— off and went to work the next day. I don’t go to the hospital for a paper cut.”

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