As part of the show’s SDCC panel, a new The Lord of the Rings: The Rings of Power trailer has just dropped, teasing the return to Middle-earth.
A new The Lord of the Rings: The Rings of Power trailer was screened at San Diego Comic-Con, teasing some of what is to come in Amazon’s highly-anticipated series. Marking the third major adaptation of J. R. R. Tolkien’s beloved fantasy books after Peter Jackson’s The Lord of the Rings and Hobbit trilogies, The Rings of Power is set to explore the Second Age of Middle-earth’s vast history. The series is expected to follow both new characters and younger versions of returning characters as they reckon with the emergence of a new evil in Middle-earth.
Trailers for The Rings of Power have shown off some of what is in store for viewers when the show premieres in September, including a closer look at many of the show’s characters, battles, and beautiful locations. The footage has teased all of the major races in the show, including Hobbits, Elves, Dwarves, and Men, and has also heavily featured Morfydd Clarke’s younger Galadriel, with the character seemingly playing a crucial role in the events of the series. With Amazon’s Lord of the Rings show now only about a month away, many fans are eager to get their hands on more footage from the show.
SCREENRANT VIDEO OF THE DAY
Join Amazon Prime – Watch Thousands of Movies & TV Shows Anytime
Start Free Trial Now
Now, released as part of the show’s SDCC panel, fans can get an even closer look at The Rings of Power in the form of a brand new trailer, with the footage teasing a triumphant return to the beloved world of The Lord of the Rings. Check out the new trailer below:
Bobby focuses on creating higher margins while investing in society. He believes that our World has room for improvement, and one of his goals is to be part of the evolutionary process. What makes him successful is the collaboration with founders and partners. Bobby has a successful track record in envisioning and creating deals and opportunities from scratch in various industries.
Jason Momoa gets brutally honest about his Conan the Barbarian remake, praising his experience but feeling it was turned into a “big pile of s–t.”
While audiences have largely moved on from the project, Jason Momoa is getting brutally honest about his Conan the Barbarian remake. Robert E. Howard’s iconic titular character was first brought to life on the big screen with Arnold Schwarzenegger’s 1982 film of the same name, which saw his Conan on a quest for vengeance for the death of his parents at the hands of snake cult leader Thulsa Doom. Though met with mixed reviews from critics and audiences alike upon its release, Schwarzenegger’s Conan the Barbarian was a box office success and became a cult favorite, spawning the sequel Conan the Destroyer, which scored poor reviews and underperformed at the box office, leading to a threequel dying in development hell.
SCREENRANT VIDEO OF THE DAY
Warner Bros. later acquired the rights to the Conan the Barbarian character and spent years attempting to develop a remake, only for Nu Image/Millennium Films to later acquire the rights and partner with Lionsgate to produce it. Having endured a variety of directors and writers coming and going on the project, the Conan the Barbarian remake began moving forward with Marcus Nispel in the director’s chair and Jason Momoa attached for the titular role. Hitting theaters in mid-2011, Momoa’s Conan the Barbarian debuted to mostly negative reviews from critics and audiences alike and was a box office bomb, scrapping plans for a follow-up and now one of the stars at the center of the project is getting honest about the film.
In a recent cover feature with GQ, Jason Momoa reflected on some of his lesser-received films from early in his acting career. Momoa specifically looked towards his time on the Conan the Barbarian remake, praising his experiencing filming it but criticizing how it was changed in the editing process. See what Momoa said below:
“I’ve been a part of a lot of things that really sucked, and movies where it’s out of your hands. Conan [the Barbarian] was one of them. It’s one of the best experiences I had and it [was] taken over and turned into a big pile of shit.”
As is the case for a variety of other remakes in Hollywood, Momoa’s Conan the Barbarian endured a variety of troubles in its development, with the likes of The Matrix duo The Wachowskis, Schwarzenegger’s first Conan director John Milius, Robert Rodriguez and Brett Ratner all having been in various points of negotiations to helm the project. With it having been one of his first major film roles after breakout TV roles in Baywatch and Stargate: Atlantis, Momoa memorably underwent rigorous training in order to effectively portray Conan, enrolling in a six-week training program at a stunt and martial arts academy before even finishing negotiations to star in the film. Momoa also turned to future John Wick directors Chad Stahelski and David Leitch to help him build 10 pounds of muscle for his role in the Conan the Barbarian remake.
As he notes, Momoa’s Conan the Barbarian was largely dismissed by critics and audiences alike upon its release, namely for its poor script, characters and performances, though Momoa himself did ultimately receive some positive reception for his work in the film. Luckily for him and action genre fans, Momoa would go on to better make a name for himself on both the big and small screens with everything from Game of Thrones to Aquaman. While audiences await the latter character’s return in Aquaman and the Lost Kingdom in March, they can revisit Momoa’s Conan the Barbarian streaming on HBO Max now.
Jennette McCurdy is opening up about her friendship with Miranda Cosgrove. In her new memoir, I’m Glad My Mom Died, the 30-year-old former actress reveals her first impression of her iCarly co-star and shares why she didn’t sign on to be a part of its recent reboot. The show ran for six seasons, which aired between 2007 and 2012.
After landing the role of Sam Puckett when she was 14, McCurdy was “fascinated” to learn of Cosgrove’s “independence,” something McCurdy wasn’t accustomed to, given her abusive relationship with her now-late mom.
“She walked alone to pick up food from a different nearby restaurant each day — alone! What’s that like? Then I’d always hear when she came walking back into the studio because she’d be playing Gwen Stefani or Avril Lavigne from her Sidekick. I knew of these artists, but Mom didn’t allow me to listen to them because she said their music might make me wanna ‘do bad things,'” McCurdy, who grew up Mormon, writes of Cosgrove. “On set, Miranda said cuss words like ‘s**t’ and ‘a**,’ and she took the Lord’s name in vain at least fifty times a day. Mom warned me not to get too close to Miranda because she doesn’t believe in God.”
The then-teens quickly developed a friendship, mostly through AIM.
“Miranda and I spent hours talking every day on it,” McCurdy recalls. “… Even though in person Miranda seemed shy and quiet, she had a distinct and hilarious personality through her written words. So many of the things she said made me laugh. Her way of observing things — people, habits, human nature. I loved her. And I was so excited we were becoming friends.”
As iCarly‘s success continued, so too did McCurdy and Cosgrove’s friendship.
“My friendship with Miranda has been a source of camaraderie and emotional support,” McCurdy writes. “I’m friends with the rest of the cast too, but my connection with Miranda is different and special. We Skype on the weekends and see movies at ArcLight after work.”
When iCarly came to an end, McCurdy worried that it’d mark the end of her friendship with Cosgrove too. That fear really came into focus when the women shot their final scene together through tears.
“The reason I’m crying is that I don’t know what will become of my friendship with Miranda. We’ve gotten so close. Like sisters, but without the passive-aggression and weird tensions,” McCurdy writes. “I have my judgments around female friendships being catty and petty and backstabby, but that couldn’t be further from the truth with Miranda. With Miranda, it’s always been so easy. Our friendship is pure.”
McCurdy soon realized, however, that her fears were unfounded.
“There was no need to worry about context; our friendship has gotten stronger since iCarly ended,” she writes. “We hang out three or four times a week. Usually one of the nights is a sleepover.”
In fact, their bond remained so close that McCurdy eventually opened up to Cosgrove about her struggles with anorexia and bulimia.
“Miranda’s been very supportive. I appreciate her support but it’s also difficult at times,” McCurdy writes. “Before Miranda knew about this stuff, when bulimia was my secret, I could get through the ups and downs on my own. I was the only person I had to be accountable to, the only person I would disappoint. But now that she’s in on the secret, I can tell she’s hyperaware of my eating tendencies. She’s constantly observing. I’m not just disappointing myself with my slips, but her too.”
As close as the women once were, though, they did start to “drift apart” as they entered their late 20s.
“At the beginning of the decade, the people I was close to seemed like friends for life, people I could never imagine not seeing every day. But life happens. Love happens. Loss happens,” McCurdy writes. “Change and growth happen at different paces for different people, and sometimes the paces just don’t line up. It’s devastating if I think too much about it, so I usually don’t.”
That change in their dynamic came around the same time that an iCarly reboot was in the works. Cosgrove wanted McCurdy to jump on board, but the latter actress had expressed embarrassment about her time on the series.
On a phone call, McCurdy insisted, “Miranda, I’m not doing the reboot. There’s nothing you can say to convince me.”
“She tells me she thinks the reboot could be an opportunity for all of us in the cast to ‘get back out there,’ maybe get some other opportunities from it,” McCurdy recalls of Cosgrove.
When that tactic didn’t work, Cosgrove reminded McCurdy that “it’s really good money.”
“But there are things more important than money. And my mental health and happiness fall under that category,'” McCurdy recalls telling her. “There’s a moment of silence. It’s one of those rare moments where I feel like I didn’t say too much, or too little. I feel like I represented myself accurately and there’s nothing I would change about the way I said it. I feel proud. We wrap up our conversation, promising to keep in touch, and hang up.”
When ET spoke to Cosgrove last year, she reacted to McCurdy’s decision not to reprise her role in the reboot.
“We all really wanted Jennette to be a part of the show in real life, but she’s just doing other things and we’re really happy for her,” Cosgrove said at the time, adding that McCurdy would be welcomed onto the reboot “anytime.”
I’m Glad My Mom Died is out now.
ET, Nickelodeon and Paramount+ are all subsidiaries of Paramount.
Apple has ordered the limited dramedy series “Land of Women” with Eva Longoria and Carmen Maura set to star.
The six-episode series is based on the Sandra Barneda novel of the same name. Longoria will star as Gala, a New York empty nester whose life is turned upside down when her husband implicates the family in financial improprieties, and she is forced to flee the city alongside her aging mother (Maura) and college-age daughter.
To escape the dangerous criminals to whom Gala’s now vanished husband is indebted, the three women hide in the same charming wine town in Northern Spain that Gala’s mother fled 50 years ago, vowing never to return. The women seek to start anew and hope their identities will remain unknown, but gossip in the small town quickly spreads, unraveling their deepest family secrets and truths.
The series is currently in pre-production in Spain and will be shot in both English and Spanish and will be made available to view in both languages.
Ramón Campos and Gema R. Neira are adapting the book for the screen, with Campos also set to serve as showrunner. Longoria will also serve as an executive producer under her UnbeliEVAble Entertainment banner along with Ben Spector. Teresa Fernández-Valdés will also executive produce. Carlos Sedes will direct. Bambu Studios will produce the show for Apple.
This is the latest Spanish-language production for Apple. The streamer also has the thriller series “Now & Then,” “Acapulco” starring Eugenio Derbez, and the recently ordered “Midnight Family,” based on the documentary of the same name.