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‘The Rehearsal’ Subject Robbin, Who Left Mid-Experiment, Reacts to Online Discourse: ‘Y’all Can Laugh at Me All You Want’

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Robbin Stone became the subject of internet discourse after appearing on Nathan Fielder’s small screen social experiment “The Rehearsal” as a (brief) co-parent in a childrearing simulation. Now, Stone is participating in said discourse, interacting with fans of the show in a “Nathan for You Businessposting” Facebook group.

“Y’all can laugh at me all you want. Enjoy and just know that God always has the last laugh and God is not mocked,” Stone posted in the group, named for Fielder’s previous Comedy Central show, on Wednesday.

Stone appeared on the second episode of “The Rehearsal,” which follows series creator Fielder as he coaches people through bizarre, big-budget simulations of real-life situations. Stone was wrangled into a six-week childrearing experiment alongside a woman named Angela, who is testing out parenting with the help of dozens of child actors and a creepy robot baby.

In a video of himself posted to the group late Thursday night, Stone said: “Hey, what’s up ‘Nathan for You Businessposting’ group. I heard we got to 24,000 members. That’s dope… keep it up.”

He continued: “I’m just in the whip right now, on the way to get some mayo [a reference to his episode of ‘The Rehearsal.’] And I’m probably gonna hit 100.”

In the series, Stone repeatedly mentions crashing his Scion tC at 100 miles per hour — and finding himself “upright.”

While Stone has been the target of many a joke online, he seems to be taking it in stride, replying to comments in the Facebook group.

“Are you getting mayo? Or are you just rehearsing going to get mayo?” wrote one member of the Facebook group, to which Stone responded: “Shh, don’t blow my cover but [of course] I can’t get it wrong. It’s gotta go just right and it will be no accident.”

“Do you have your plates yet?” reads another comment, to which Stone replied, “How many times do I need to clarify that I don’t need them? I mean honestly. Goodness gracious,” riffing on an already oft-quoted line in “The Rehearsal” in which he assures Fielder one does not need license plates to drive.

On July 27, Stone gifted the Facebook group with a handful of photos of him getting cozy with Angela, whom he says he still keeps in touch with, despite exiting her experiment during the first night.

Sharing his experience on the show in an interview with Vice, Stone said he wasn’t entirely happy with how he was portrayed on “The Rehearsal.”

“I think they really, like, changed my personality,” Stone said. “The portrayal is just completely aimed at making me look bad.”

While he and Angela bonded heavily over shared religious beliefs, Stone told Vice he wished the series showed more of that.

“I know I talked a lot more about Jesus than what they showed,” he said. “Like mine and Angela’s conversation at the MacGyver Park, we were bouncing off each other, really sharing a lot of similarities with Christ.”

Still, he said he wouldn’t have “done or said anything differently,” including disclosing his intentions to sleep with Angela after she told him she is celibate.

“I could just tell. I mean, I’m very good with women,” he said. “I could just tell she was into me like that. So that’s why I even said that.”



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Jason Momoa Gets Brutally Honest About Conan The Barbarian Remake

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Jason Momoa gets brutally honest about his Conan the Barbarian remake, praising his experience but feeling it was turned into a “big pile of s–t.”

While audiences have largely moved on from the project, Jason Momoa is getting brutally honest about his Conan the Barbarian remake. Robert E. Howard’s iconic titular character was first brought to life on the big screen with Arnold Schwarzenegger’s 1982 film of the same name, which saw his Conan on a quest for vengeance for the death of his parents at the hands of snake cult leader Thulsa Doom. Though met with mixed reviews from critics and audiences alike upon its release, Schwarzenegger’s Conan the Barbarian was a box office success and became a cult favorite, spawning the sequel Conan the Destroyer, which scored poor reviews and underperformed at the box office, leading to a threequel dying in development hell.

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Warner Bros. later acquired the rights to the Conan the Barbarian character and spent years attempting to develop a remake, only for Nu Image/Millennium Films to later acquire the rights and partner with Lionsgate to produce it. Having endured a variety of directors and writers coming and going on the project, the Conan the Barbarian remake began moving forward with Marcus Nispel in the director’s chair and Jason Momoa attached for the titular role. Hitting theaters in mid-2011, Momoa’s Conan the Barbarian debuted to mostly negative reviews from critics and audiences alike and was a box office bomb, scrapping plans for a follow-up and now one of the stars at the center of the project is getting honest about the film.


In a recent cover feature with GQ, Jason Momoa reflected on some of his lesser-received films from early in his acting career. Momoa specifically looked towards his time on the Conan the Barbarian remake, praising his experiencing filming it but criticizing how it was changed in the editing process. See what Momoa said below:

“I’ve been a part of a lot of things that really sucked, and movies where it’s out of your hands. Conan [the Barbarian] was one of them. It’s one of the best experiences I had and it [was] taken over and turned into a big pile of shit.”

As is the case for a variety of other remakes in Hollywood, Momoa’s Conan the Barbarian endured a variety of troubles in its development, with the likes of The Matrix duo The Wachowskis, Schwarzenegger’s first Conan director John Milius, Robert Rodriguez and Brett Ratner all having been in various points of negotiations to helm the project. With it having been one of his first major film roles after breakout TV roles in Baywatch and Stargate: Atlantis, Momoa memorably underwent rigorous training in order to effectively portray Conan, enrolling in a six-week training program at a stunt and martial arts academy before even finishing negotiations to star in the film. Momoa also turned to future John Wick directors Chad Stahelski and David Leitch to help him build 10 pounds of muscle for his role in the Conan the Barbarian remake.


As he notes, Momoa’s Conan the Barbarian was largely dismissed by critics and audiences alike upon its release, namely for its poor script, characters and performances, though Momoa himself did ultimately receive some positive reception for his work in the film. Luckily for him and action genre fans, Momoa would go on to better make a name for himself on both the big and small screens with everything from Game of Thrones to Aquaman. While audiences await the latter character’s return in Aquaman and the Lost Kingdom in March, they can revisit Momoa’s Conan the Barbarian streaming on HBO Max now.


Source: GQ

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Jennette McCurdy Opens Up About Friendship With Miranda Cosgrove and Why She’s Not in the ‘iCarly’ Reboot

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Jennette McCurdy is opening up about her friendship with Miranda Cosgrove. In her new memoir, I’m Glad My Mom Died, the 30-year-old former actress reveals her first impression of her iCarly co-star and shares why she didn’t sign on to be a part of its recent reboot. The show ran for six seasons, which aired between 2007 and 2012.

After landing the role of Sam Puckett when she was 14, McCurdy was “fascinated” to learn of Cosgrove’s “independence,” something McCurdy wasn’t accustomed to, given her abusive relationship with her now-late mom.

“She walked alone to pick up food from a different nearby restaurant each day — alone! What’s that like? Then I’d always hear when she came walking back into the studio because she’d be playing Gwen Stefani or Avril Lavigne from her Sidekick. I knew of these artists, but Mom didn’t allow me to listen to them because she said their music might make me wanna ‘do bad things,'” McCurdy, who grew up Mormon, writes of Cosgrove. “On set, Miranda said cuss words like ‘s**t’ and ‘a**,’ and she took the Lord’s name in vain at least fifty times a day. Mom warned me not to get too close to Miranda because she doesn’t believe in God.”

The then-teens quickly developed a friendship, mostly through AIM.

“Miranda and I spent hours talking every day on it,” McCurdy recalls. “… Even though in person Miranda seemed shy and quiet, she had a distinct and hilarious personality through her written words. So many of the things she said made me laugh. Her way of observing things — people, habits, human nature. I loved her. And I was so excited we were becoming friends.”

As iCarly‘s success continued, so too did McCurdy and Cosgrove’s friendship.

“My friendship with Miranda has been a source of camaraderie and emotional support,” McCurdy writes. “I’m friends with the rest of the cast too, but my connection with Miranda is different and special. We Skype on the weekends and see movies at ArcLight after work.”

When iCarly came to an end, McCurdy worried that it’d mark the end of her friendship with Cosgrove too. That fear really came into focus when the women shot their final scene together through tears.

“The reason I’m crying is that I don’t know what will become of my friendship with Miranda. We’ve gotten so close. Like sisters, but without the passive-aggression and weird tensions,” McCurdy writes. “I have my judgments around female friendships being catty and petty and backstabby, but that couldn’t be further from the truth with Miranda. With Miranda, it’s always been so easy. Our friendship is pure.”

McCurdy soon realized, however, that her fears were unfounded.

“There was no need to worry about context; our friendship has gotten stronger since iCarly ended,” she writes. “We hang out three or four times a week. Usually one of the nights is a sleepover.”

In fact, their bond remained so close that McCurdy eventually opened up to Cosgrove about her struggles with anorexia and bulimia. 

“Miranda’s been very supportive. I appreciate her support but it’s also difficult at times,” McCurdy writes. “Before Miranda knew about this stuff, when bulimia was my secret, I could get through the ups and downs on my own. I was the only person I had to be accountable to, the only person I would disappoint. But now that she’s in on the secret, I can tell she’s hyperaware of my eating tendencies. She’s constantly observing. I’m not just disappointing myself with my slips, but her too.”

As close as the women once were, though, they did start to “drift apart” as they entered their late 20s.

“At the beginning of the decade, the people I was close to seemed like friends for life, people I could never imagine not seeing every day. But life happens. Love happens. Loss happens,” McCurdy writes. “Change and growth happen at different paces for different people, and sometimes the paces just don’t line up. It’s devastating if I think too much about it, so I usually don’t.”

That change in their dynamic came around the same time that an iCarly reboot was in the works. Cosgrove wanted McCurdy to jump on board, but the latter actress had expressed embarrassment about her time on the series.

On a phone call, McCurdy insisted, “Miranda, I’m not doing the reboot. There’s nothing you can say to convince me.” 

“She tells me she thinks the reboot could be an opportunity for all of us in the cast to ‘get back out there,’ maybe get some other opportunities from it,” McCurdy recalls of Cosgrove.

When that tactic didn’t work, Cosgrove reminded McCurdy that “it’s really good money.”

“But there are things more important than money. And my mental health and happiness fall under that category,'” McCurdy recalls telling her. “There’s a moment of silence. It’s one of those rare moments where I feel like I didn’t say too much, or too little. I feel like I represented myself accurately and there’s nothing I would change about the way I said it. I feel proud. We wrap up our conversation, promising to keep in touch, and hang up.”

When ET spoke to Cosgrove last year, she reacted to McCurdy’s decision not to reprise her role in the reboot.

“We all really wanted Jennette to be a part of the show in real life, but she’s just doing other things and we’re really happy for her,” Cosgrove said at the time, adding that McCurdy would be welcomed onto the reboot “anytime.”

I’m Glad My Mom Died is out now.

ET, Nickelodeon and Paramount+ are all subsidiaries of Paramount.

 

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Apple Orders Dramedy Series ‘Land of Women’ Starring Eva Longoria, Carmen Maura

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Apple has ordered the limited dramedy series “Land of Women” with Eva Longoria and Carmen Maura set to star.

The six-episode series is based on the Sandra Barneda novel of the same name. Longoria will star as Gala, a New York empty nester whose life is turned upside down when her husband implicates the family in financial improprieties, and she is forced to flee the city alongside her aging mother (Maura) and college-age daughter.

To escape the dangerous criminals to whom Gala’s now vanished husband is indebted, the three women hide in the same charming wine town in Northern Spain that Gala’s mother fled 50 years ago, vowing never to return. The women seek to start anew and hope their identities will remain unknown, but gossip in the small town quickly spreads, unraveling their deepest family secrets and truths.

The series is currently in pre-production in Spain and will be shot in both English and Spanish and will be made available to view in both languages.

Ramón Campos and Gema R. Neira are adapting the book for the screen, with Campos also set to serve as showrunner. Longoria will also serve as an executive producer under her UnbeliEVAble Entertainment banner along with Ben Spector. Teresa Fernández-Valdés will also executive produce. Carlos Sedes will direct. Bambu Studios will produce the show for Apple.

This is the latest Spanish-language production for Apple. The streamer also has the thriller series “Now & Then,” “Acapulco” starring Eugenio Derbez, and the recently ordered “Midnight Family,” based on the documentary of the same name.



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